Edmonton’s St.Arnaud has always occupied a space where sincerity and self-awareness collide, but with the new single Love You! (For Real), Ian St.Arnaud sharpens that tension into something irresistibly groove-driven.

Who could fail to be charmed by a Mozart horn concerto? All four were composed for Joseph Leutgeb (1732–1811), the Vienna-born virtuoso who built his reputation in the imperial capital before settling in Salzburg, where he and Mozart became firm friends – and the butt of some of the composer's most affectionate teasing.

An episode of Doctor Who of several years ago featured a cameo role for Vincent Van Gogh. Uplifted from the Arles of the 1880s by the good doctor, and deposited in the present-day Musée d’Orsay, the artist is reunited with many of his canvasses at an exhibition curated by an art expert (Bill Nighy).

The National Science and Media Museum hasunveiled new temporary exhibition Setting the Stage: 70 Years of the Eurovision Song Contest, going behind the scenes of the world’s largest live televised music event. The exhibition invites visitors to explore the technological history and innovation at the heart of the competition, contributing to its enduring legacy today.

I must have had my own blonde moment when the highly acclaimed Legally Blonde film with Reese Witherspoon hit our screens in 2021, grossing 142 million dollars worldwide and shaping fashion trends. Determined not to let the 2026 stage production pass me by, I was at the front of the queue for the upbeat romantic comedy and its timeless appeal.

Semi-Final 2 feels like the more unpredictable of the two Eurovision semi-finals this year. While there are a handful of songs that look like near-certain qualifiers, much of the line-up sits in that dangerous grey area where staging, live vocals, and running order could make or break a country's chances.

Goldsounds is undoubtedly one of my favourite music days of the year. One day, one venue, 2 stages, 16 bands ! A joyous celebration of new music and bands. I knew very little about most of the bands playing and had done no pre-listening, so it was just a question of oscillating between the rooms to catch as many bands as possible across the day.

Born in Geneva in 1936 and Professor of Organ at the city's Conservatory until 2002, Rogg has also been a composer of quietly persistent originality, and it is to this side of his work that Anne Page now turns in a thoughtfully chosen recital for Regent. The programme she has assembled covers a wide range. At one end sit the modest Neuf pièces brèves; at the other, the substantial Hommage à Takemitsu, the radiant Yorokobi-Pièce Joyeuse, and two virtuoso toccatas, which frame the disc with an appropriate flourish